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artist: Akram Zaatari

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Classification

Decade Work Created

Bashasha (left) and a friend. Studio Sherhazade
© » KADIST

Akram Zaatari

Photography (Photography)

“Films inspired people a lot. they came to perform kissing in front of a camera. In a conservative society such as Saida, people were willing to play the kiss between two people of the same sex, but very rarely between a man and a woman.

Anonymous, Madani's parents home
© » KADIST

Akram Zaatari

Photography (Photography)

“While taking the picture it was challenging to make the boys sit properly without moving. Sometimes a member of the family whould hide behind, holding the child.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

Two Palestinian Sisters
© » KADIST

Akram Zaatari

Photography (Photography)

Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him. The studio was a constant flux of visitors.

"Anonymous", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

"Najm", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

A girl and her brother. Studio Sherazade. 1960s
© » KADIST

Akram Zaatari

Photography (Photography)

“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal. Placing one’s hand on a stable surface helps position the shoulders and the general posture of the body.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

Anonymous. Madani,’s parent’s home. The Studio, 1949-50
© » KADIST

Akram Zaatari

Photography (Photography)

“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them. I used to scratch out the emulsion where the pupil is, and draw another one right next to it.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.

"Baqari’s wife", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself. He was upset to know that she came to be photographed in my studio without telling him. He came asking for the negatives.

Anonymous, Studio Sherhazade
© » KADIST

Akram Zaatari

Photography (Photography)

“In the 1980s I started using coloured paper backdrops, one of which was yellow. You can see they never reached the floor. I used them for colour and black-and-white photography.” Hashem El Madani.

"Anonymous (Jradi and a friend)", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

Photography (Photography)

“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him.

Akram Zaatari